Adolph Menzel
Adolph Menzel's Oil Paintings
Adolph Menzel Museum
December 8, 1815 Breslau - February 9, 1905 Berlin.

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Adolph von Menzel
The Berlin-Potsdam Railway
mk87 1847 Oil on canvas 43x52cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
ID: 33911

Adolph von Menzel The Berlin-Potsdam Railway
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Adolph von Menzel The Berlin-Potsdam Railway

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Adolph von Menzel

1815-1905 German Adolph von Menzel Gallery His father was the headmaster of a school for girls, and intended to educate his son as a professor; but he would not thwart his taste for art. Left an orphan in 1832, Menzel had to maintain his family. In 1833 Sachse of Berlin published his first work, an album of pen-and-ink drawings reproduced on stone, to illustrate Goethe's little poem, Kunstlers Erdenwallen. He executed lithographs in the same manner to illustrate Denkw??rdigkeiten aus der brandenburgisch-preussischen Geschichte; The Five Senses and The Prayer, as well as diplomas for various corporations and societies. From 1839 to 1842 he produced 400 drawings, largely introducing to Germany the technique of wood engraving, to illustrate the Geschichte Friedrichs des Grossen (History of Frederick the Great) by Franz Kugler. He subsequently brought out Friedrichs der Grossen Armee in ihrer Uniformirung (The Uniforms of the Army under Frederick the Great), Soldaten Friedrichs der Grossen (The Soldiers of Frederick the Great); and finally, by order of the king Frederick William IV, he illustrated the works of Frederick the Great, Illustrationen zu den Werken Friedricks des Grossen (1843-1849). By these works Menzel established his claim to be considered one of the first, if not actually the first, of the illustrators of his day in his own line. Pencil drawing by Menzel, 1891.Meanwhile Menzel had set himself to study unaided the art of painting, and he soon produced a great number and variety of pictures, always showing keen observation and honest workmanship in subjects dealing with the life and achievements of Frederick the Great, and scenes of everyday life, such as In the Tuileries, The Ball Supper, and At Confession. Among the most important of these works are The Forge (1875) and The Market-place at Verona. Invited to paint The Coronation of William I at Koenigsberg, he produced an exact representation of the ceremony without regard to the traditions of official painting. In Germany he received many honors, and was the first painter to be given the Order of the Black Eagle in 1898 which included a title of nobility, becoming von Menzel.  Related Paintings of Adolph von Menzel :. | Staalwalserij | Storm on Tempelhof Mountain | The Artist's Sister with a Candle | The French Window | Storm on Tempelhof Mountain |
Related Artists:
Louisa Anne Meredith
English miniaturist, watercolourist, engraver, poet, writer and botanist . 1812-1895 was an English and Australian writer and illustrator. Louisa Anne Meredith, the daughter of Thomas Twamley and Louisa Ann Meredith, was born near Birmingham, England on 20 July 1812. She was educated chiefly by her mother, and in 1835 published a volume, Poems, which was favourably reviewed. This was followed in 1836 by The Romance of Nature, mostly in verse, of which a third edition was issued in 1839. Another volume was published in the same year, The Annual of British Landscape Scenery, an account of a tour on the River Wye from Chepstow to near its source at Plynlimon. Shortly afterwards Miss Twamley was married to her cousin, Charles Meredith. Charles had emigrated to Van Dieman's Land in 1821 with his father George and family. They had been pioneers of grazing, whaling and other activities around Swansea on Tasmania's East Coast. Charles had become a squatter in the Canberra district of New South Wales They sailed for New South Wales in June 1839, and arrived at Sydney on 27 September 1839. After travelling into the interior as far as Bathurst, Mrs Meredith returned to the coast and lived at Homebush for about a year. By the time of his return to New South Wales, severe economic depression caused by excessive land speculation had destroyed the value of Charles' property, and towards the end of 1840 they relocated to Tasmania. An interesting account of her first 11 years in Australia is given in her two books, Notes and Sketches of New South Wales (1844), reprinted at least twice, and My Home in Tasmania (1852), which was soon republished in the United States of America under the title Nine Years in Australia. For much of her life Mrs Meredith lived on properties around Swansea. In 1860 she published Some of My Bush Friends in Tasmania which contained elaborate full-colour plates printed by the new chromolithography process. The illustrations were drawn by herself, and simple descriptions of characteristic native flowers were given. In the following year an account of a visit to Victoria in 1856, Over the Straits, was published, and in 1880 Tasmanian Friends and Foes, Feathered, Furred and Finned. This went into a second edition in 1881. In 1891, in her eightieth year, Mrs Meredith went to London to supervise the publication of Last Series, Bush Friends in Tasmania. Published at the outset of a severe financial depression in the Australian colonies, this project and the collapse of the bank where most of her savings were held ruined her financially. She died at Melbourne on 21 October 1895 and was survived by sons Owen and George. Mrs Meredith was the author of two novels, Phoebe's Mother (1869), which had appeared in the Melbourne weekly The Australasian in 1866 under the title of Ebba, and Nellie, or Seeking Goodly Pearls (1882). Mrs Meredith took great interest in politics, her husband Charles being a Member of the Tasmanian Legislative Council for several terms between the mid 1850s until just before his death in 1881.
PRETI, Mattia
Italian Baroque Era Painter, 1613-1699 Italian painter and draughtsman. Although he was trained and had his first success as a painter in Rome during the 1630s and 1640s, he is traditionally associated with the Neapolitan school. It was in Naples between 1653 and 1660 that he made his most lasting mark (see fig. 1), contributing to the evolution of the exuberant late Baroque style and providing an important source of inspiration to later generations of painters, notably to Francesco Solimena. From 1661 he was based in Malta, where his most substantial undertaking was the decoration of St John's, Valletta. Preti's mature style is intensely dramatic and unites a Caravaggesque realism and expressive chiaroscuro with the grandeur and theatricality of Venetian High Renaissance painting.
Axel Borg
Sweden (1847-1916 ) - Painter

Adolph Menzel
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