Adolph Menzel
Adolph Menzel's Oil Paintings
Adolph Menzel Museum
December 8, 1815 Breslau - February 9, 1905 Berlin.

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Here are all the paintings of Jean-Leon Gerome 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
82960 A Muezzin Calling from the Top of a Minaret the Faithful to Prayer Jean-Leon Gerome A Muezzin Calling from the Top of a Minaret the Faithful to Prayer Date 1879(1879) Medium Oil on canvas Dimensions (91.4 x 66 cm) cjr
81830 After the Bath Jean-Leon Gerome After the Bath Medium English: Oil on canvas Dimensions English: 82.6 x 66.7 cm cjr
61826 Arabs Crossing the Desert Jean-Leon Gerome Arabs Crossing the Desert 1870. Oil on panel. 16.25 x 22 in. (41.2 x 56cm(. Najd Collection. Courtesy Mathaf Gallery, London.
81590 Arabs Crossing the Desert Jean-Leon Gerome Arabs Crossing the Desert Date 1870(1870) Source Oil on canvas cjr
93556 Bashi-Bazouk Chieftain Jean-Leon Gerome Bashi-Bazouk Chieftain 1881(1881) Medium Oil cjr
67152 Black Bashi-Bazouk Jean-Leon Gerome Black Bashi-Bazouk Year c. 1869 Technique Oil on canvas Dimensions 31 7/8 x 25 7/8 inches (81 x 66 cm)
90743 Bonaparte Before the Sphinx Jean-Leon Gerome Bonaparte Before the Sphinx 1867-1868 Medium : Oil on canvas cjr
82928 Diogenes Jean-Leon Gerome Diogenes 1860(1860) Medium Oil on canvas cyf
82636 Egyptian Recruits Crossing the Desert Jean-Leon Gerome Egyptian Recruits Crossing the Desert Date 1857(1857) Source Oil on panel cjr
83286 Egyptian water carrier. Jean-Leon Gerome Egyptian water carrier. Date ca. 1882(1882) Medium Oil on canvas cjr
67151 Eminence grise Jean-Leon Gerome Eminence grise Description G??rôme Eminence grise 1873.jpg Oil painting of the Grey Eminence, François Leclerc du Tremblay, the right-hand man of Cardinal Richelieu Date 1873
31089 Esclave a vendre Jean-Leon Gerome Esclave a vendre mk71 1873 Toile H.2.17 L.1.42 Musee d'Art et d'Industrie Andre Diligent ,de Roubaix
91772 General Bonaparte in Kairo Jean-Leon Gerome General Bonaparte in Kairo c. 1863(1863) Medium oil on panel cjr
69942 Gerome Eminence grise Jean-Leon Gerome Gerome Eminence grise Oil painting of the Grey Eminence, Francois Leclerc du Tremblay, the right-hand man of Cardinal Richelieu
59051 Harem baths Jean-Leon Gerome Harem baths Harem baths
40024 Interior of a Mosque Jean-Leon Gerome Interior of a Mosque mk155 undated Oil on canvas 22x31cm
59046 is the immediate source of the thumbs down gesture in popular culture. It is owned by Phoenix Art Museum. Jean-Leon Gerome is the immediate source of the thumbs down gesture in popular culture. It is owned by Phoenix Art Museum. Pollice Verso by Jean-L??on G??rôme, 1872, is the immediate source of the "thumbs down" gesture in popular culture. It is owned by Phoenix Art Museum.
66522 Jeunes Grecs Faisant battre des coqus Jean-Leon Gerome Jeunes Grecs Faisant battre des coqus Oil on canvas 1846
71807 Jeunes Grecs Faisant battre des coqus Jean-Leon Gerome Jeunes Grecs Faisant battre des coqus Date 1846
83169 King Candaules Jean-Leon Gerome King Candaules Date 1859(1859) Medium Oil on canvas Dimensions 67.3 x 99 cm (26.5 x 39 in) cjr
96851 King Candaules Jean-Leon Gerome King Candaules 1859(1859) Medium oil on canvas Dimensions 67 X 100.1 cm cyf
27662 L Eminence grise Jean-Leon Gerome L Eminence grise mk58 1873 oil on canvas 68.6x101cm Museum of Fine Arts,Boston
82637 Markos Botsaris Jean-Leon Gerome Markos Botsaris Date 1874(1874) Medium Oil on canvas cjr
96675 Mulher do xale verde Jean-Leon Gerome Mulher do xale verde oil on canvas Dimensions 81.3 X 60.3 cm cyf
91287 Nude girl Jean-Leon Gerome Nude girl 1886(1886) Medium oil on canvas cjr
39950 Oedipus,or General Bonaparte in Egypt Jean-Leon Gerome Oedipus,or General Bonaparte in Egypt mk155 1867-1868 Oil on canvas 30.2x45.6cm
38189 Painting Breathes Life Into Sculpture Jean-Leon Gerome Painting Breathes Life Into Sculpture mk29 1893 Oil on canvas 50.2x68.9cm
77805 Painting Breathes Life into Sculpture Jean-Leon Gerome Painting Breathes Life into Sculpture ca. 1893(1893) Oil on canvas cjr
86653 Pelt Merchant of Cairo Jean-Leon Gerome Pelt Merchant of Cairo Date 1869(1869) Medium Oil on canvas Dimensions (61.5 x 50 cm) cjr
59049 Phryne before the Areopagus, Jean-Leon Gerome Phryne before the Areopagus, Phryne before the Areopagus, 1861
27665 Pollice Verso Jean-Leon Gerome Pollice Verso mk58 1872 oil on canvas 97.5x146.7cm Phoenix Art Museum
80151 Pollice Verso Jean-Leon Gerome Pollice Verso 1872 Oil on canvas cjr
38937 Pool in a Harem Jean-Leon Gerome Pool in a Harem mk142 ca.1876 Oil on canvas
59050 Reception of Le Grand Conde at Versailles Jean-Leon Gerome Reception of Le Grand Conde at Versailles Reception of Le Grand Conde at Versailles (1878)
32591 Recreation by our Gallery Jean-Leon Gerome Recreation by our Gallery mk79 About 1890
93775 Slave Market in Rome Jean-Leon Gerome Slave Market in Rome Date circa 1884(1884) Medium oil on canvas Dimensions Height: 92 cm (36.2 in). Width: 74 cm (29.1 in). TTD
59048 The Cockfight Jean-Leon Gerome The Cockfight The Cockfight (1846); now in the Mus??e d'Orsay, Paris.
84153 The Hookah Lighter Jean-Leon Gerome The Hookah Lighter Date c. 1898 Medium Oil on canvas cjr
80625 The Snake Charmer Jean-Leon Gerome The Snake Charmer "The Snake Charmer", by Jean-Lxon Gxrôme. Oil on canvas; on display at the New Orleans Museum of Art, New Orleans, Louisiana, USA. This is not the classic painting much commented on in studies of Orientalism, but a different painting with the same name and general subject matter. Public domainPublic domainfalsefalse cjr
87036 Whirling Dervishes Jean-Leon Gerome Whirling Dervishes Date ca. 1895 Medium Oil on canvas Dimensions 72.5 x 94 cm (28.5 x 37 in) cjr

Jean-Leon Gerome
French Academic Painter and Sculptor, 1824-1904 was a French painter and sculptor in the style now known as Academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits and other subjects, bringing the Academic painting tradition to an artistic climax. Born at Vesoul (Haute-Saône), he went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy (1843-1844). He visited Florence, Rome, the Vatican and Pompeii, but he was more attracted to the world of nature. Taken by a fever, he was forced to return to Paris in 1844. On his return he followed, like many other students of Delaroche, into the atelier of Charles Gleyre and studied there for a brief time. He then attended the Ecole des Beaux-Arts. In 1846 he tried to enter the prestigious Prix de Rome, but failed in the final stage because his figure drawing was inadequate. He tried to improve his skills by painting The Cockfight (1846), an academic exercise depicting a nude young man and a lightly draped girl with two fighting cocks and in the background the Bay of Naples. He sent this painting to the Salon of 1847, where it gained him a third-class medal. This work was seen as the epitome of the Neo-Grec movement that had formed out of Gleyre's studio (such as Henri-Pierre Picou (1824-1895) and Jean-Louis Hamon), and was championed by the influential French critic Theophile Gautier. G??rôme abandoned his dream of winning the Prix de Rome and took advantage of his sudden success. His paintings The Virgin, the Infant Jesus and St John (private collection) and Anacreon, Bacchus and Cupid (Mus??e des Augustins, Toulouse, France) took a second-class medal in 1848. In 1849 he produced the paintings Michelangelo (also called In his studio) (now in private collection) image of the painting and A portrait of a Lady (Mus??e Ingres, Montauban). In 1851 he decorated a vase, later offered by Emperor Napoleon III of France to Prince Albert, now part of the Royal Collection at St. James's Palace, London. He exhibited Bacchus and Love, Drunk, a Greek Interior and Souvenir d'Italie, in 1851; Paestum (1852); and An Idyll (1853). In 1852 G??rôme received a commission by Alfred Emilien Comte de Nieuwerkerke, Surintendant des Beaux-Arts to the court of Napoleon III, for the painting of a large historical canvas, the Age of Augustus image of the painting. In this canvas he combines the birth of Christ with conquered nations paying homage to Augustus. Thanks to a considerable down payment, he was able to travel in 1853 to Constantinople, together with the actor Edmond Got. This would be the first of several travels to the East : in 1854 he made another journey to Turkey and the shores of the Danube, where he was present at a concert of Russian conscripts, making music under the threat of a lash. In 1854 he completed another important commission of decorating the Chapel of St. Jerome in the church of St. S??verin in Paris. His Last communion of St. Jerome in this chapel reflects the influence of the school of Ingres on his religious works. To the exhibition of 1855 he contributed a Pifferaro, a Shepherd, A Russian Concert, The Age of Augustus and Birth of Christ.
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