Adolph Menzel
Adolph Menzel's Oil Paintings
Adolph Menzel Museum
December 8, 1815 Breslau - February 9, 1905 Berlin.

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Here are all the paintings of Hieronimo Custodis 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
83463 Field Marshal Sir William Pelham, Lord Justice of Ireland Hieronimo Custodis Field Marshal Sir William Pelham, Lord Justice of Ireland oil on panel 90 x 72 cm Date 16th century cjr
87837 Portrait of a Gentleman, Probably Wilson Gale Hieronimo Custodis Portrait of a Gentleman, Probably Wilson Gale 1601. Oil on panel, 78.5 x 61.5 cm cjr
91839 Sir John Harington and his wfie Hieronimo Custodis Sir John Harington and his wfie c. 1590-95, oil on panel, 76.2 X 92.9 cm (30 X 36.6 in) Date c. 1590-95 cyf
87138 Sir John Harington and his wfie, Mary Rogers, Lady Harington Hieronimo Custodis Sir John Harington and his wfie, Mary Rogers, Lady Harington c. 1590-95, oil on panel, 76.2 x 92.9 cm (30 x 36.6 in) Date c. 1590-95 cjr

Hieronimo Custodis
(also spelled Hieronymus, Heironimos) (died c. 1593) was a Flemish portrait painter active in England in the reign of Elizabeth I. A native of Antwerp, Custodis was one of many Flemish artists of the Tudor court who had fled to England to avoid the persecution of Protestants in the Spanish Netherlands.He is thought to have arrived in England sometime after the fall of Antwerp to the forces of the Duke of Parma in 1585. Three English portraits by Custodis signed and dated 1589 firmly establish him as resident in London by that year. Sir Roy Strong attributes a portrait of Sir Henry Bromley dated 1587 to Custodis, suggesting an earlier arrival, and has verified the recent attribution of a portrait of the young Edward Talbot dated 1586 to Custodis.In 1591, he was living in the parish of St Bodolph-without-Aldgate where "Jacobus the son of Ieronyme Custodis A Paynter" was baptised on 2 March. He is assumed to have died in 1593, as all of his known works are dated between 1589 and 1593, and his widow remarried that year. Custodis's unsigned but dated works are idenitified by "palaeographical peculiarities" in the inscriptions which can be closely matched to those in his signed portraits.
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