Adolph Menzel
Adolph Menzel's Oil Paintings
Adolph Menzel Museum
December 8, 1815 Breslau - February 9, 1905 Berlin.

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Here are all the paintings of BARTOLOMEO, Fra 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
40310 Christ with the Four Evangelists BARTOLOMEO, Fra Christ with the Four Evangelists mk156 1516 OIl on panel 282x204cm
4941 Deposition  dfde BARTOLOMEO, Fra Deposition dfde c. 1515 Oil on canvas, 152 x 195 cm Galleria degli Uffizi, Florence
29824 Nativity BARTOLOMEO, Fra Nativity mk67 Oil on panel 7 11/16x3 9/16in Uffizi,Gallery
29826 Pieta with SS.Peter and Paul BARTOLOMEO, Fra Pieta with SS.Peter and Paul mk67 Oil on panel 62 3/16x78 3/8in Pitti,Palatine Gallery
4943 Portrait of Girolamo Savonarola BARTOLOMEO, Fra Portrait of Girolamo Savonarola c. 1498 Oil on wood, 47 x 31 cm Museo di San Marco, Florence
40273 Portrait of Girolamo Savonarola BARTOLOMEO, Fra Portrait of Girolamo Savonarola mk156 c.1498 Oil on panel 47x31cm
4939 The Adoration of the Christ Child nn BARTOLOMEO, Fra The Adoration of the Christ Child nn c. 1499 Oil on canvas Galleria Borghese, Rome
4942 The Annunciation (front), Circumcision and Nativity (back) BARTOLOMEO, Fra The Annunciation (front), Circumcision and Nativity (back) c. 1500 Tempera on wood, 19,5 x 9 cm Galleria degli Uffizi, Florence
4940 The Marriage of St Catherine of Siena ww BARTOLOMEO, Fra The Marriage of St Catherine of Siena ww 1511 Oil on wood, 257 x 228 cm Mus??e du Louvre, Paris
29024 The Mystic Marriage of St.Catherine BARTOLOMEO, Fra The Mystic Marriage of St.Catherine mk65 Oil on panel 138 3/16x105 1/8in
29825 The Vision of St.Bernard BARTOLOMEO, Fra The Vision of St.Bernard mk67 Oil on panel 84 11/16x90 15/16in Uffizi,Gallery
40295 Vistion of St.Bernard BARTOLOMEO, Fra Vistion of St.Bernard mk156 c.1505 Oil on panel 220x213cm

BARTOLOMEO, Fra
b. 1473, Firenze, d. 1517 b. 1473, Firenze, d. 1517 He was born in Savignano di Prato, Tuscany. He received the nickname of Baccio della Porta for his house was near the Porta ("Gate") San Pier Gattolini. Starting from 1483 or 1484, by recommendation of Benedetto da Maiano, he apprenticed in the workshop of Cosimo Rosselli. In 1490 or 1491 he began a collaboration with Mariotto Albertinelli. In the late 1490s Baccio was drawn to the teachings of Fra Girolamo Savonarola, who denounced what he viewed as vain and corrupt contemporary art. Savonarola argued for art serving as a direct visual illustration of the Bible to educate those unable to read the book. From 1498 is his famous portrait of Savonarola, now in the Museo Nazionale di San Marco in Florence. The following year he was commissioned a fresco of the Universal Judgement for the Ospedale di Santa Maria Nuova, completed by Albertinelli and Giuliano Bugiardini when Baccio became a Dominican friar on July 26, 1500. The following year he entered the convent of San Marco. He renounced painting for several years, not resuming until 1504 when he became the head of the monastery workshop in obedience to his superior. In that year he began a Vision of St. Bernard for Bernardo Bianco's family chapel in the Badia Fiorentina, finished in 1507. Soon thereafter, Raphael visited Florence and befriended the friar. Bartolomeo learned perspective from the younger artist, while Raphael added skills in coloring and handling of drapery, which was noticeable in the works he produced after their meeting. With Raphael, he remained on the friendliest terms, and when he departed from Rome, left in his hands two unfinished pictures which Raphael completed. At the beginning of 1508 Bartolomeo moved to Venice to paint a Holy Father, St. Mary Magdalene and St. Catherine of Siena for the Dominicans of San Pietro Martire in Murano, influenced somewhat by Venetian colorism. As the Dominicans did not pay the work, he took it back to Lucca, where it can be seen now. Also in Lucca, in the October 1509, he painted by Albertinelli an altarpiece with Madonna and Child with Saints for the local cathedral. On November 26, 1510 Pier Soderini commissioned him an altarpiece for the Sala del Consiglio of Florence, now in the Museum of San Marco. Two years later he finished another altarpiece for the cathedral of Besancon.
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